Breast cancer survivor Elizabeth Edwards talks about her book Resi

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The Verbal Author

Where every day is open mic

Language poet James Sherry reads When She Comes.

Submit links of author readings to martha@engber.com

Sunday, July 12, 2009

If You Want to Be a Literary Writer...


A friend new to fiction writing recently asked me what a literary novel is. This is a common question, for which I've got what I think is a succinct answer: a literary novel is one in which the language is as important to the author and reader as the story being told.

Rather than falling into any one genre, such as mystery, romance or thriller, literary fiction can be any of those. But whereas the authors of genre fiction tend to use unadorned language strictly for the purpose of telling the story, those who aim for a literary quality linger over work choice, style, symbolism and other aspects of the actual writing.

Most classics studied in school are literary: 1984, The Hours, To Kill a Mockingbird, Don't Let's Go to the Dogs Tonight, the Liars' Club, etc.

The Book Thief, the story of a girl in a small German town during World War II, is a good example of literary fiction aimed at young adults. Rather than say, "She watched the German soldiers parade the Jewish prisoners down the street," author Markus Zusak writes:

They watched the Jews come down the road like a catalog of colors. That wasn't how the book thief described them, but I can tell you that that's exactly what they were, for many of them would die. They would each greet me like their last true friend, with bones like smoke and their souls trailing behind.



The book is filled with new and wondrous word usages that produce new and wondrous images and emotions. If you're interested in injecting your own writing with a more literary quality, this is a great book to study.

Happy writing!

Monday, June 22, 2009

After the Editing is Done

My last post addressed what to do when you finish the first draft of your book, which is to rewrite. When that process is done, whether next week, next month or years from now, your remaining task is to get your story published.

Freelance editor Laurie Gibson and book designer Leslie Fitch will talk about that major step during a free presentation titled Book Publishing 1-2-3: From the Writer's Fingers to the Reader's Hands at 3 p.m. Sat., July 11, at Campbell Library in Campbell, CA. The women will talk about how to connect with literary agents and how a manuscript works its way through the publishing process, then end with a Q & A session.

If you're not local, here are some great resources on the subject:

Becoming a Published Author

Getting Your Book Published: How to Turn Your Manuscript Into a Novel

From Manuscript to Printed Page: How to Get a Manuscript Published

Happy writing!

Saturday, May 23, 2009

When the First Draft is Done

A friend of mine recently asked what she should do when she finishes the first draft of her novel. I mumbled something plausible and have since formulated a more coherent and comprehensive answer.

When the first draft is done, you should:

1. Rewrite

2. Rewrite

3. Rewrite

Simplistic, but true. Now for the specifics.

The first task is to check your structure by:

• Comparing your work to what experts advise via writing books. The authors invariably explain what elements must be present regarding characters, plots, dialogue, etc. Check to see if those elements are present in your own novel, and if so, are they in the right place and proportion?

• Attend a workshop that helps you work through the three levels of editing, the first of which is structure/content. In an act of shameless self-promotion, I'll be teaching The Art of Rewriting in July in the Bay Area, while I'll also conduct an online class in March 2010 (the details of both can be found under Upcoming Workshops on this page). You can also check out other in-person and online courses through such outlets as the Gotham Writers' Workshop, Absolute Write and genre fiction organizations such as the Romance Writers of America, which runs fabulous workshops for all writers.

• Join a critique group, which is easier said than done, given the variety of factors that can go wrong (quality of critique, mix of members, style of interaction, etc.). Fortunately California Writers Club South Bay member Becky Levine has written a book to aid your journey, The Writing & Critique Group Survival Guide, which will be published in January 2010 by Writers Digest Books, though the book is available for pre-order.

• Hire a writing coach, which is like hiring a personal trainer: one-on-one personal attention from a pro who scrutinizes your work and no one else's. Time efficient and specific, this avenue can also be pricey. Like anything else, let the buyer beware. To get you started, check out links to Writing Coaches.

After you're sure the structure is excellent, the next step is to scrutinize the way you convey the story (length, style, layout, word choice) followed by the last step in the revision process, copyediting.

If you have other suggestions to offer my friend, feel free to pipe up.

Otherwise, happy writing!

Monday, May 11, 2009

Marketing Inspiration From a Fellow Writer


Friend and fellow writer Kate Evans is on fire. She not only had her first novel, For the May Queen, published last fall by Vanilla Publishing, but is about to launch her second novel, Complimentary Colors, the story of a woman who falls out of love with her self-absorbed boyfriend and in love with a wonderful woman.

Here's a excerpt:

I was craving something, but I wasn’t exactly sure what. I wanted something new. I wanted something beautiful. My life was at a strange stand-still, stagnant as the smoggy San Jose air. So I’d signed up for a poetry class. I’d been looking forward to it all week, but now as I sat in a university classroom, waiting for class to begin, I thought maybe I’d made a mistake. The students leaned on their desktops, talking to each other in the circle of desks, casual and comfortable in their jeans, while I sat stiffly in my work clothes: black blazer, pink blouse, dark nylons and black heels, my long brown hair pulled back in a clip.

Sitting in the circle with us was Professor Alameida. I knew her name because it was printed on my class schedule. She had long gray hair and a craggy face, and the sleeves of her denim jacket were rolled up to reveal silver and turquoise bracelets. When she opened a folder, silence descended on the group.

Just then, the classroom door creaked open. In walked two people, two women. They were unlike any two women I’d ever seen. They both had short dark hair, gelled into spikes, and they wore black leather jackets, baggy jeans, and black boots. It’s hard to explain now why I didn’t think “lesbians” right away. Or “dykes.” But I didn’t. It was 1992; why would I have known any gay people? Or I should say lesbians. I did have an old college friend, Manny, who was gay, or so I assumed. He now lived in Massachusetts; he’d moved there with a guy I thought was his lover. But my life, not unlike many people’s lives, was mostly filled with people like me. In my case that meant straight people, in their twenties and thirties, who were dating, or engaged, or divorced. The lesbian world might as well have been taking place in Massachusetts, while I lived my straight life in California. Until that moment, of course.


Kate, who also writes poetry, is at work on a memoir and teaches writing at San Jose State University, is an inspiration to us all, both in her steadfast pursuit of steady publication and in her preparation for success. Rather than wait for the publisher to take charge, Kate starts marketing months in advance via her vast Facebook connections and with links to novel excerpts, biographical notes via the publisher's website, constant updates via her own websiteand features on whatever online and in-person media outlets she finds.

Kate is an outgoing person and a generous fellow writer. If you've just received the happy news your novel will be published, but don't know where to start in terms of promotion, my guess is Kate will be happy to point you in the right direction. Her blog also features loads of helpful websites.

Good luck, Kate, and happy writing!

Monday, May 4, 2009

When is a Novel Not a Novel? When It's Not

The Brief Wondrous Life of Oscar Wao The Brief Wondrous Life of Oscar Wao by Junot Díaz


My review


rating: 3 of 5 stars
I'd read Junot Diaz's short stories and really enjoyed them, and so was looking forward to this novel. Again I give the author, of Dominican Republic heritage, credit for fantastic writing: broad, witty, gritty, multilingual. Yet this book was not really a novel so much as a collection of interconnected short stories, which is why I felt a curious lack of tension.

That and the book felt composed of 90% telling and 10% showing, as in, "This happened and this happened and this happened." So while I learned a lot about each character, most of the content felt like background. There was no particular build toward a climax.

Did you read the book? If so, what do you think?


View all my reviews.

Monday, April 20, 2009

To Learn Again, and Again, and Again...

As I continue on my journey of constant learning, I'm reminded at almost every step of how forgetful we humans can be. We learn a lesson and think, This is great!, yet as time goes by, the knowledge falls away until we come across the lesson again.

Here's a case in point:

I know the importance of including the five senses in order to make scenes more vivid, which in turn involves readers to a much higher degree, and have even written about and lectured on the topic. Yet only today while reading writer and editor Sol Stein's chapter on the five senses in Stein on Writing, I realized I have backed off studying and portraying touch, taste and smell, senses writers typically forget.

The thought occurred after reading an exercise Stein proposes: to listen to a cat and phonetically spell the animal's various sounds. I don't have a cat, but immediately understood Stein's point: if we stopped to think about how something really sounds, feels, tastes, looks and smells, we'd find that the reality has little to do with the cliches we carelessly dredge up and drop into place while preoccupied with writing. We're so concerned about the overall story, we throw in a meow when necessary, even though the word bears almost no resemblance to the many sounds a cat makes.

Another exercise Stein suggests is to describe the shape and feel of your keychain. Can't do the exercise without reaching into your pocket or purse for a quick feel? Most of us couldn't, which leads to his second point:

We might be average folks in our daily lives, but as writers, we've got to be exceptional in our ability to slow down and scrutinize a scene via all five senses, which means tossing out the cliches—

• the dusky smell of a rose

• the scritch-scratch of her pantyhose as she walked

• his prickly, unshaven face

• the sour taste of bile

—in favor of sensory details that drop readers a mile deeper into the action.

For a deeper appreciation of the senses, Stein suggests Diane Ackerman's The Natural History of the Senses.

Thus concludes this lesson on the importance of re-learning lessons, no matter how basic. And if you happen to miss this entry, fear not. I'll no doubt be reiterating the subject again, and again, and again.

Happy writing!

Tuesday, April 14, 2009

Another Newly Published Author is Born

Michelle Chan sent an ecstatic email yesterday saying she can soon proclaim a published author, given her short story was just accepted for publication by Sinister Tales Magazine.

The secret to her success? Michelle, born and raised in New York City and now a California resident, said that rather than carpet bomb the literary world with her story, she spent the time to find a journal that takes this particular type of story, which was tricky, considering the piece is literary horror.

I found the market on www.doutrope.com, which I found through www.Susanjbreen.com. When I had the story critiqued in Susan's fiction class, the overwhelming feedback was that it was beautifully written, but horrific and disturbing. Susan encouraged me to pursue literary suspense and literary horror markets.


For those of you who don't know, duotrope's digest is "a database of over 2,400 current markets for Fiction and Poetry," which includes a free online submissions tracker.

Susan Breen is the author of The Fiction Class and teaches beginning and advanced fiction classes through the Gotham Writers' Workshop, which Michelle recommends, having taken a number of in-person and online classes.

As for Michelle, she's currently "pouring her heart out" on a a memoir and story collection.

Happy writing!