Q & A for writers

Email me questions at Martha@Engber.com and I'll answer.

Friday, January 15, 2010

Day #4 of Contest: In 50 Words or Less, What's the Best Piece of Advice You Can Offer Other Writers?

Game stats

Day: 4

Contestants to date: 14

Possible winners: 14

Countdown to winner-dom: 5 days

Attributes displayed: sincerity, thoughtfulness, humor, experience

Reed Stevens, contestant #14, charges into the melee with a startlingly brief, but piercing challenge in this contest of critique wits and wisdom:

Read your work out loud to anyone who will listen. If it moves you, it’s real.


Out of curiosity, how many writers actually read their work aloud without being paid or forced to do so?

Happy writing!

Thursday, January 14, 2010

Day #3 of Contest: In 50 Words or Less, What's the Best Piece of Advice You Can Offer Other Writers?

Gail Dana, lucky contestant #13, jumped in today with the outrageousness of simplicity repeated to Mark Twain levels of exaggeration. Well done!

Write, write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write,write, write,write, write, write, write.
Then edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit,edit.edit,edit,edit,edit.

Wednesday, January 13, 2010

Day #2 of Contest: In 50 Words or Less, What's the Best Piece of Advice You Can Offer Other Writers?

And the competition continues to toughen in our quest to encapsulize our best critique advice in 50 words or less.

Game stats

Day: 2
Contestants to date: 12
Possible winners: 12
Possible controversy: Contradictory advice, or just a different way of saying the same thing?
Countdown to winner-dom: 7 days
Attributes displayed: sincerity, thoughtfulness, humor, experience


Pat Brown

Writers, as a group, are a friendly bunch, always eager to talk about their profession and are free with their advice to noobs. But sometimes that advice just plain sucks. Like the maxim that you should write what you know. I sputter and get all puffed up like an irate blowfish -- not a pretty sight, I assure you -- when I hear that. I almost always follow that in my most scathing voice that I guess that means Jeffrey Deaver has admitted to being a mass murderer and a quadriplegic. That Stephen King -- well I don't want to go there except to say that is one scary dude. What do you mean, he's a nice guy? Clearly you haven't read The Shining or It. Not convinced the experts are wrong? Then when did Frank Herbert ride on the back of a giant sandworm or Ray Bradbury sail the canals on a Mars that never even existed?

Telling lies is human nature, and I think embellishing even when we tell the truth is too. I have the feeling when early hunter-gatherers huddled around the fire at night listening to the howling of wolves or the roar of lions off in the veldt, that every story they told wasn't exactly the honest to god truth. I'm betting the best tribal hunters told extravagant tales of their exploits against all manner of monsters and how they fended them off with great feats of wisdom and strength. They made those stories up and even when everyone else around the fire knew it, they went along with it. Why? Because the lies made the stories better.

If all we could write about was stuff we actually did, just try to imagine how dull our fiction would be. I'm putting myself to sleep thinking about it.

So my advice? Ignore most of the advice you're told. Write what you want to write, and if that means doing some research, then go out and find out about that subject. But don't handicap yourself or stifle your imagination. We need good storytellers today as much as those proto-humans did. We may not be listening to lions roaring in our backyards, but we have our own stressors and a good story can carry us to other worlds and help us feel better. And there's nothing wrong with that.



Jim Hocker

My late wife, Karla Hocker, was a published novelist who taught writing workshops, too. I think her best piece of advice was: "Use as few adjectives as possible. The best way to reveal the personality of your characters is through dialogue, not description."



Kathy McIntosh

Make writing a whole body experience. Keep your chin up, your feet on the ground, your mind limber and open to new lessons and ideas, your heart set on the goal of becoming a published writer, and your butt in the chair.



Alan Tracey

Someday you will open an envelope. You’ll see a letter from a firm, and you will think seriously, very seriously, about placing a pile of feces on that firm’s doorstep, and setting it on fire. At that moment, I tell you this…do not back down. It’ll make a great story.



Karen Hartley

Write, Write, Write
Keep lines tight
When Vision is bright
Give Ideas light
Wake in the middle
of the night and
Write, Write, Write



Bibi Emerson Shortt (pen name Wilkins MacQueen)

Read more than you write.
Then write more than you read.
Examine profound moments in. (My mother, if she weren’t already dead in the coffin before me, would have died again if she knew she was going into eternity with a bad dye job.)

Get it? Find grains of truth.



Ronnie Dauber

Write what you know, what you see and what you feel. Whether you’ve been there, done that or studied it, make sure you write it with the conscience that the reader knows it, too. We all know what it means to assume, so don’t challenge your reading audience with ignorance.



Conda Douglas

A writer reads, reads, reads, then writes, writes, writes, then edits, edits, edits, then submits, submits, submits, then repeats, repeats, repeats.



Moment-by-Moment Game Play Analysis

Well, folks, what began as a modest game of smarts and wisdom has turned into an international Olympics of know-how and inspiration.

And the crowd goes wild!

Eight more writing-abled minds have poured their efforts into this marathon of critique advice, garnered through years of practice, pain dilligence.

This second day of competition opened with a strong, heartfelt, tell-all by talented writer (and inspirer of writers) Pat Brown. He clearly decided to forego the 50-word limit in order to level with writers about an accepting, self-aware, damn-the-torpedoes perspective. A bold, sincere move!

Jim Hocker threw in a fast, graceful move he picked up from his lovely wife, who sounds like she inspired many a writer.

Kathy McIntosh exploded into action with her simile of writer-as-physical-being, reminding us we are not actually disembodied brains floating about, much as we like to stay lost in our own minds.

Alan Tracey risked all in his natty bid to nab kudos where other writers fear to tread, that highly literary world of symbolism. I'm sure we'll continue to ponder his advice for decades to come. (Should he get extra points for including a writing challenge? "Someday you will open an envelope...")

Karen Hartley trips a saucy path through the maelstrom with her lilting rhyme, rhyme, rhyme.

Bibi Emerson Shortt should get extra points not only for the uniqueness of her name, but for the fact she's a Canadian English teach in Thailand, which is only slightly less impressive than an English-speaking, Korean-teaching Canadian in Thailand. But we shall show no favoritism here! She, like Alan, challenges us to think, think, think besides write, write, write.

Ronnie Dauber takes a bold stab at telling us what we often forget, but need to remember: don't assume your audience is ignorant! (Do you think our world leaders adhere to that notion?)

Conda slips in with an ingenious piece of camouflage, appearing to stutter, when really she's driving through with what it takes to stay in the game: more endurance than anyone else to repeat the process over and over again.

A marvelous day and one for the history books, people.

Let's hear from you, crowd. Woohoo!

Happy writing.

Tuesday, January 12, 2010

Day #1 of Contest: In 50 Words or Less, What's the Best Piece of Advice You Can Offer Other Writers?

We're off to a roar on this first day of the contest where contestants go head-to-head (good-naturedly, of course) in the fight to win Becky Levine's new book, The Writing and Critique Group Survival Guide.

Here are our first three entries:

Glynis Smy from Cyprus

Memo From My Desk: Dear Writer...

Dedication is required
Energy levels need uplifting, hourly
Ankle rotation will help stop clots
Reading stimulates the mind

Write everyday
Rotate your neck and shoulders
Internet is not the only place for inspiration
Try different genres and styles
End leaving the reader wanting more
Remember to enjoy being a writer.



Gregg Haugland from Denver

Fix the pot the night before
Up at three, but not after four


Draft the next chapter 
4000 words I shoot for
At least a half chapter

If inspired, then a one whole more


Never write after noon
By then your mind is so mixed up you’ll be a buffoon


Chris Kubica from North Carolina

Realize early on that there is the creative side to writing and the business side. Always protect the create side. Do whatever you can to keep the flow of writing/rewriting coming. Understand that rejection letters, bad reviews, harsh workshop critiques are all directed toward the business side. Those things aren't personal. They were just business decisions. The business side of you also needs to know how to self-motivate and work it to create a grass-roots movement around your book. Have a blog and engage readers via social media and in person. You are your own best PR guru.


Ara Hagopian

Lose the internet connection and find the writer’s chair. If your writing is interesting, it will be read and recommended. Writing is very much about editing out—and you’re your best editor. Know what’s going on in the world; this is done by reading other’s work—what interests you?


Moment-by-Moment Game Play Analysis

Glynis provides an aggressive start to what promises to be a tough competition. She leads with the advantages of being from an exotic locale and having a poem that can also be used as a mnemonic device. At 50 words, she's right on the money, but technically, if we include the title, that puts her over, so we'll have to consult the rule book on that... (In a clever, but after-the-fact move, Glynis suggests ditching the title, which is embedded in her answer.)

At 49 words, Gregg comes in with a strong, solid play that includes rhyming — always a favorite with the crowd — plus a claim he actually gets up at 3 a.m. (we'll give you the benefit of the doubt there, Gregg). He also manages to squeeze in the word buffooon, which is real skill indeed.

Chris from North Carolina trails by exactly 48 words, but oh, what enthusiasm he shows! His passion alone may pull him ahead yet, while his urging of writers to develop a mafia attitude (in a good way!) that embraces the big picture over that of self-degradation — "it ain't personal, it's business" — is a very positive and persuasive play.

Ara comes in with a smooth, solid performance of straight talk that's hard-hitting and hard to refute, and at 49 words, a real contender.

Certainly none of us can call this game yet. It's going to be brutal!

Happy writing!

Monday, January 11, 2010

A 50 Words or Less Contest You Could Actually Win: What's the Best Piece of Critique Advice You Can Offer Other Writers?



Writer Becky Levine, author of the The Writing and Critique Group Survival Guide, hot off the Writer’s Digest press, will be answering interview questions on this blog next week ( Jan. 20). In advance, I’m running a contest:

In 50 words or less, what’s the best advice you can offer other writers?





The winner will receive a free copy of Becky’s book, either as a hard copy or e-book, along with immense fame.

Send your reply to me at Martha@Engber.com and I’ll post the responses up until choosing a winner Jan. 20.

This being a writers' contest, entries will be based on:

1. writing style

2. humor

3. heavily layered in symbolism (i.e., Alice in Wonderland)

You’re welcome to spread the news — via blogs/writing buddies/prime time advertisements — about the contest, especially the fact that your chances of winning are approximately 200,000,000 times better than winning the lottery, and oh, so much more prestigious!

I’m looking forward to seeing what wisdom we’ve got to offer!

Happy writing!

Sunday, January 10, 2010

One Canadian Author Rediscovers Her Character

I was chatting with Joylene Butler, author of Dead Witness, on The James Mason Classic British Book Club on GoodReads and she says she's finally cast off the element that had been dragging down her character and so has once again found what made him a joy to create in the first place:

I couldn't wait to get back to my WIP.


While Joylene is a very smart gal in her own right — her second book is under contract and she lives on a gorgeous lake in British Columbia — she did say she found a few helpful tidbits via my book for writers, Growing Great Characters From the Ground Up. Head over to her very active blog — in which she hosts weekly writer interviews of well-known authors — for a look-see.

Thanks, Joylene.

Happy writing!